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Celebrity Perfume review: Pharrell Williams Girl and Art Nouveau

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  Radioactive violet/orris topnotes with an incense base that reminds me (unsurprisingly) of Comme des Gar ç ons’ incense line—a resinous smoky frankincense with a ground of patchouli. There’s a greenness too that rides the middle of the scent, a grassy powdery vetiver. This is harmonious, sophisticated, and olfactorily challenging perfumery; indeed, it’s what one would expect from this house. As it dries down, a peppery woody accord emerges from the violet smoke. This is one of those fragrances that evokes a color, or even a color palette, in my mind. I see green, violet, of course, and a shimmering, opalescent gray! It strikes me as very French, very fin de siècle. It is the color of Nancy, the home of French Art Nouveau. The glasswork of that town was famous for its emulation of nature, and I’d say the kind of nature that decays, and subsides into the earth. Consider this vase, for example. And this bed: The bed is a gorgeous memento mori: the moth is born and flies into the lig
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Mary Magdalene: Patron Saint of Perfume (edit)

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  I find it very interesting that Mary Magdalene is the patron saint of perfume. Her legend is so multifaceted, so sensory, and so deeply complex that I have to concede that she makes a perfect object of contemplation for the perfumer (and the lover of perfume, of course!). Her status (erroneously attributed to her in the sixth century by the ubiquitous  Legenda Aurea     or  The Golden Legend i n English) as a reformed prostitute landed her squarely in the world of the sensual, and her ritualistic, emotive actions subsequent to her conversion only enhanced this reputation. For example, Mary Magdalene was believed to have washed Jesus’ feet with her penitent tears and a whole box of spikenard; perfuming them, if you will, with the liquid of new-found holiness. The passage is so super-sensual I’ll include it here: Then took Mary a pound of ointment of spikenard, very costly, and anointed the feet of Jesus, and wiped his feet with her hair; and the house was filled with the odour of the
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Celebrity Perfume Review Series Part One: Mary J. Blige "My Life"

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This post marks the first in a series of meditations on celebrity perfumes. I am a bit strapped for spending money at the moment, but feeling the perfume ache. My solution: find the cheap gems and write and think about them for awhile! Celebrity perfumes are justifiably poo-pooed my many perfume lovers for the obvious reasons; they are crassly commercial, often built by a committee, and are part of an assembly line of products meant to help the top 1% of artists and famous-for-being-famous people (and their handlers) reach even higher levels of wealth.  All this is true. But sometimes, someone on the celebrity team thinks to retain a great perfume artist, and even better, let her do her work. Then the rare but wonderful happens--the world is blessed with a cheap, beautiful, high-concept (because attached to the ineffable but fundamental qualities of some celebrity) fragrance.  SO now for the first celeb offering on my shelf: My Life for Mary J Blige. Gorgeous, steamy gardenia. A tight
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Alive

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what a wonderful world, full of smells and sounds and sights, and wonders beyond reckoning. Let's rejoice in our perception of our lives. that we are creatures of this world, alive today, fresh with wonder, wild with pain, breathing. tomorrow, who knows.... =Sketch by Hans Holbein the Younger of Lady Meutas, made about 1536, black and coloured chalks on pink prepared paper, from  http://commons.wikimedia.org/wiki/File:Lady_Meutas.jpg
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Notes from my lunar insomnia: Apologies from the wilderness

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A Harvest Moon tonight, the best in 2O years, so they say, and the sky is clouded over here in Ithaca. Damn you, Lady Fortune! I return to you, a changed woman. I have a theory about academic work—that its rhythms of feast and fast, of heavy, intense work and periods of creative drought and no deadlines serve to mask a deeper, horrifying truth: that as you get caught up in the cycle of not much work, then intense work, you don’t realize the periods of rest are getting shorter, that the stakes are getting higher, and that no amount of work will ever be good enough. You don’t notice that you are working harder and harder, becoming a more intense person year by year, slowly turning into that workaholic academic you thought you’d never become. I have always resisted this fate, hoping to remain a well-rounded, grounded person who does not live for her work alone, but somehow the system has gotten to me. How else can I explain this past month of near non-stop work on my dissertation draf
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javanica review

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A spicy floral—round, nutty, nutmeggy anyway, delicate woods—I loved this one the minute I smelled it—Actually, this whole line had me shaking my head in wonder, asking: how does she do it? Definitely sweet, but dark as well, and it smells foggy somehow, as if a fragrant steam were rising up from my hand, comforting as a cup of hot java. I could see this being a great comfort in the dark winter months-its exotic tropicality, yet almost holiday-oriented spiciness creating a truly winning combination. Nutmeg botanical plate engraving by William Miller for William Archibald. from Encyclopaedia Britannica 5th Edition, at the Encyclopaedia Press, For Archibald Constable and Company, and Thomson Bonar, Edinburgh: Gale, Curtis, and Fenner, London; and Thomas Wilson and Sons, York, 1817.
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I’m back!

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Hello, everyone! My beloved and I are back from our enchanting journey to Andalucia and Morocco, and boy are we jet-lagged! But I am brimming with stories to tell you all.… Today, I must compose my class syllabus for the Arthurian Literature class I begin teaching tomorrow, (I know, how horribly last-minute of me!) but tomorrow, the tales begin! Thank you all for commenting on my posts in my absence, and I look forward to delving into your own blogs’ backlogs (if you have blogs) over the next few days, when I find the time! Much Love, LBV train painting by Adolph von Menzel The Yorck Project: 10.000 Meisterwerke der Malerei. DVD-ROM, 2002. ISBN 3936122202 . Distributed by DIRECTMEDIA Publishing GmbH.
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notes from my lunar insomnia: inconstancy

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Why is the moon, symbol of femininity, also a symbol of inconstancy? I understand that both are subject to cyclic change, but why is that often seen as a negative thing in Western culture? Where is the notion of positive power, of wonder at the connectedness of humans and the sky and other parts of nature? This is something that bothers me off and on, and this allegorical image of Inconstancy brings many of these irritations bubbling up to the surface… There’s that damn crustacean again—I mentioned it once before in one of my lunatic posts --that horrific symbol of meaningless cycles of nature, that, according to traditional thought that I find quite compelling, has nothing to do with a good god.The depths-crawling lobster represents the nightmare of the unknown, of the subconscious, and also of the deep unexplored ocean; the things we know exist and don’t want to understand—all brought up by the moon’s powerful force.   Abraham Janssens “Inkonstanz, Allegorie der Unbeständigke
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TOTD: Tamara hopes for full bottle love

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From a private correspondence between me, LBV, and my perfume friend Tamara. In this installment, Tamara struggles with her expectations and certain realities while searching for true love. I bet you all can relate. I certainly can. “I'm about to go to the dreaded mall this morning to go see if I like Laura Mercier's Minuit Enchanté cause from what I've read about it, it seems like it's right up my smelly alley ….” a few hours later: “But you know what I did? I went to try the L.M. Minuit Enchanté and what the hell! It was a screechy mish mash of notes; it was (and still is) painful cause I'm trying to give it the full on it deserves (poor  nasty thing) but bleeech ! I am so glad I didn't have to pay for that sample. But I do have it  now if you’re interested, ha! Sooo I take it back what I said before...no I don't . I'll ADD to what I was saying before. I don't just love decadence, I also love earthy and green. Whoooweee girl, I c
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Smelling other peoples’ husbands

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I’m reposting one of my very early posts today! At the party this weekend, my friend Julie suggested I smell her husband, Kurt. Now I don't usually get invitations from wives to inhale the deep manly scents of their husbands (LOL) so of course I could not refuse! Also, these two are not fragrance mavens and I was surprised Kurt would wear anything at all, since he is so involved in his main hobby, cooking, and I imagined he wouldn't want anything to get between him and the smells he conjures from the pan. I was not surprised, therefore, to discover this fragrance to have a gourmand edge; the first thing that hit my nose was an accord of herbs and pepper, softened with lavender--perfect for my gourmet friend. I asked what it was, and was delighted to hear it was L'occitan PH ; I tend to love l'occitane products, partly from good experiences with them (one of my husband's signature scents is Cade ) and partly from nostalgia, since it was in a l'occit
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ganesh

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I found this on Wikimedia Commons, and I think it is interesting that the fragrance of the lotus is the god’s primary weapon against demonic evil. I cite the comments on the image in full since I think they are very interesting: “This work is reproduced and described in Martin-Dubost, Paul (1997). Gaņeśa: The Enchanter of the Three Worlds . Mumba i: Project for Indian Cultural Studies. ISBN 81-900184-3-4 , p. 73, which says: "Attired in an orange dhoti, his body is enitirely red. On the three points of his tiny crown, budding lotuses have been fixed. Gaṇeśa holds in his two right hands the rosary and a cup filled with three modakas (a fourth substituted by the curving trunk is just about to be tasted). In his two left hands, Gaṇeśa holds a large lotus above and an axe below, with its handle leaning against his shoulder. In the Mudgalapurāṇa (VII, 70), in order to kill the demon of egotism (Mamāsura) who had attacked him, Gaṇeśa Vighnarāja throws his lotus at him. Unable to
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TOTD: Tamara on lemming

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So, the lady Tamara and I have been thinking of splitting some Tauer bottles. This is a difficult proposition because, well, I’ll let Tamara speak for herself: What's goin’ on with me is that I'm in a torturous state with my perfumania; it is so hard saving for my Tauers. Like, almost overbearing is my longing to get on to my next fix! October is far away, I've been saving for a month already,  with no  samples, decants, mini's, nada.* SIGH* And now with the sale going on at BeautyHabit (25% off till 8/13 type OPRAH at the coupon code box) ha. I am lemming like crazy! I've gone back and forth , mumbling to myself about "Do I want this? How about this? No don't get anything!" Like a damn crazy layday. Here's what I keep obsessing over- L'Artisan Verte Violette Parfum Del Rae Mythique 10 Corso Como and most of all Parfum d Empire! Aaaaggghhh! Have you heard of this line? I am wanting Cuir Ottoman (jasmine, iris,res
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little stars, Olympic Orchids.

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Little Stars is another gorgeous orchid sc ent from this enormously talented perfumer, brand new on the scene. Ellen mentions on her blog that the orchid on which she bases this fragrance is night-blooming—that always a descriptor that intrigues us sensually minded perfume-folk. This one is a heavy, well-made dark spicy citrus floral, with a clove,citrus, and deep woods composition evocative of the most humid, tropical nights. The perfumer's notes suggest this is meant to evoke the nighttime in a steamy jungle, and I can see that. I love the spicy green woodiness of this one—it truly does smell ultra-tropical, and also almost holographically orchid-like. Very impressive composition indeed, with a really natural sense of balance and proportion. The synthetic oud and tea notes blend in seamlessly, opening up the scent experience alongside a delicious sour citrus--the whole top part of the perfume’s composition tends towards a certain soapy tanginess that I think is definitely uni
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the exoticism and humanity of smell

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Looking at these images of people from many different historical periods interacting with scent makes me think about the ways in which thinking about people of the past smelling things makes their lives seem somehow more real, but at the same time, it makes them seem more exotic.    For example if we were to smell the contents of that Egyptian pot, I’m sure we would feel at home, comforted by the recognizable smells of frankincense, lotus, or rose.  But also, the figures’ attitudes, their ritualistic poses, their very alien appearance, makes the content of that pot seem somehow untouchable, distant. A few Centuries Later…. we can imagine how that swag of citrus and laurel behind this religious tableau smells. We can even imagine the sweet musty smell of Mary Magdalene’s perfumed hair interacting with Jesus’ dirty, sweaty feet.  but we are also distanced by the exotic foreignness of the characters’ gestures, by the knowledge of this as a foundational myth, an untouchable—in ma
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perfume riddle IX

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Greetings once again, and it’s time for another perfume riddle. The gods have decreed it. Prepare yourselves, and make way for yon riddling perfume bottle, come from on high to challenge your wits. Which heroic reader will throw down the gauntlet and guess, at her peril? what I am I will not tell, for if you do not know me well, you cannot guess, and that is good for I’m obscure. I’m partly food, brilliant, luscious and so sweet, the red topping on an ice cream treat. Then tobacco, smokey, round, and almond, bitter and profound. My name is made of classical references, Latin, Greek, whatever your preference is. I struggle and emerge victorious, Name my name; I am notorious.   Since I am away on vacation, I cannot tell you if you’re right, so I embedded the house name in the labels below CREDITS: Darius’s sphynx, currently in the Louvre. Courtesy of Wikimedia Commons.
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drying hair and drying laundry, frost too

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I have been thinking about the fact that for most people, drying hair and clothing is one of the most intimate fragrance experiences they have in any given week. Looking at this painting by John Sloan, I can almost imagine all the different smells—the soapy clean musk of the laundry, the animalic smell of human hair, the perfume from the shampoo, the smell of sweat, the hot asphalt, the myriad city smells of exhaust, heat, sewer, food, etc. The act of drying one’s hair is such a special, human thing, such an affirmation of femininity… Consider the beautiful image of women throwing their hair up to dry it in Robert Frost’s “Birches”: When I see birches bend to left and right Across the lines of straighter darker trees, I like to think some boy's been swinging them. But swinging doesn't bend them down to stay. Ice-storms do that. Often you must have seen them Loaded with ice a sunny winter morning After a rain. They click upon themselves As the breeze rises, and turn many
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TOTD: Tamara on comfort scents

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All the samples I ever buy are usually 1.5 ml to 2.5 ml. All because I need to be able to spray them to get a real sense of what it is, that I simply cannot get from merely dabbing. It's a divine but horribly expensive habit! Especially if I end up not liking them. (sigh............) But can I tell you about what I LOVE (yes I'm shouting in caps) I fell in desperate love with two comfort beauties this weekend, Sarah. And really I blame this wretched weather we've been having. Because all I want is for summer to kiss my face and warm my skin, but I'm inside sniffing and bemoaning the rain. And in the beginning of my perfumista journey I never liked "sweet" or comforting smells. But as it happened almost 7 yrs. ago I had my youngest daughter Olivia and lo and behold I could handle them--I craved them. She made me sweet. Aww. Ha! And that's saying something, having four daughters! I need strength in my scents but also, as it turns out, comfort.
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wing and a prayer Bella review

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Bella indeed! I have received a bunch of samples from A Wing and a Prayer natural perfumes, and I was stuck by the simple beauty of this lovely herbal/citrus/floral. Verbena dominates—I get that sharp twinge of freshness you get when you brush or rub the leaves of the lemon verbena plant, married to a bright citrus topnote. Later on, Bella becomes less herbaceous and more floral, rounding out and opening up to a delicate rose-verbena fragrance that smells very fresh and true to life. I actually feel as if I were in a garden when I wear this. I also have to say, I have NEVER seen packaging as beautiful as this. I took pics and I want you all to see how much care and love these perfumers put into their work. Every element of the multi-part package was carefully, lovingly, and beautifully wrapped, and it came complete with ribbon and lovely, expensive note, hand-written, of course, because this niche company does things in style……   The main event, Tallulah B, was wrapp
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a gallery of resins

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I don’t know about you guys, but I sometimes get confused about the differences between all the different resins out there used in pefumery. So I compiled a gallery, so I could remember a little better…. MYRRH Somali man collecting myrrh. from “Beautiful Somalia”, by the Somalia Ministry of Information and National Guidance. found in Yemen, Somalia, Ethiopia 100g of Myrrh resin from the Dhofar region of Oman, courtesy of Wikimedia Commons FRANKINCENSE/OLIBANUM Frankincense trees taken by Eckhard Pecher Found in Oman, Yemen, and Somalia, Bag of frankincense at Dubai spice souk, taken by Liz Lawley . LABDANUM rockrose, or Ci stus ladanifer, courtesy Wikimedia Commons found in the Mediterranean, generally. image f rom incense wiki, uploaded by en:User:Sjschen , PERU BALSAM, ALSO KNOWN AS TOLU tolu is found in Central and South AMerica. from Franz Eugen Köhler, Köhler's Medizinal-Pflanzen . AMBER Wood resin, source of amber. Phot
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